HOW新展丨夸尤拉个展非对称考古学凝视机器

上传日期:2023-04-20 浏览次数:

新展预告

HOW新展丨夸尤拉个展非对称考古学凝视机器开幕:2019年3月23日(星期六)

展期:2019年3月23日- 2019年6月2日

主办:昊美术馆

地址:昊美术馆(上海)一楼:1/2/3/4展厅(上海市浦东新区,祖冲之路2277弄1号)

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HOW新展丨夸尤拉个展非对称考古学凝视机器HOW新展丨夸尤拉个展非对称考古学凝视机器HOW新展丨夸尤拉个展非对称考古学凝视机器昊美术馆(上海)荣幸地宣布,将于2019年3月23日至2019年6月2日举办意大利艺术家夸尤拉(Quayola)的大型个展“非对称考古学:凝视机器”(Quayola: Asymmetric Archaeology - Gazing Machines)。本次展览是夸尤拉在中国的首次大型个展,展出作品的创作形式涵盖数码版画、影像、数字雕塑和机器人装置。

HOW新展丨夸尤拉个展非对称考古学凝视机器HOW新展丨夸尤拉个展非对称考古学凝视机器HOW新展丨夸尤拉个展非对称考古学凝视机器HOW新展丨夸尤拉个展非对称考古学凝视机器“非对称考古学:凝视机器”对过去进行了重新的想象,并通过机械的视角再次发现自然。以“非对称考古学”为主题,夸尤拉利用数码技术对希腊化时期的雕塑、古典大师绘画及巴洛克式建筑等古典艺术形式进行探索和全新诠释,使之脱离过去的图像语义,再生为数字抽象作品。这种对过去的重游,完全排除人类的主观视角,从机械的客观角度审视过去、现在和未来的关系,展现非对称之美。

HOW新展丨夸尤拉个展非对称考古学凝视机器此外,在夸尤拉的作品中,熟悉的自然视觉修辞被转化为由机械和程序创造的全新人造景观。通过这种由机械的特殊机制和复杂算法完成的重塑,夸尤拉将引领观众跳脱出艺术史和自然环境的原有语境,进入新一轮的沉思。

关于艺术家

HOW新展丨夸尤拉个展非对称考古学凝视机器夸尤拉

生于1982年,意大利罗马

生活工作于英国伦敦

夸尤拉利用科学技术之镜探索看似对立的力量之间的紧张和平衡,譬如:真实和虚构、具象和抽象、旧事物和新事物。通过在具有历史意义的建筑地标上搭建沉浸式装置,他借助最新的科技对经典图像进行重新想象。他纷繁多样的创作都出自定制的计算机软件,其作品形式还包括视听表演、录像、雕塑和纸上作品。

夸尤拉已举办10场个展,并通过群展、公共装置和行为表演的方式在世界各地广泛展出过百次。展览美术馆和艺术节包括:公园大道军械库(美国纽约)、维多利亚和阿尔伯特博物馆(英国伦敦)、东京宫(法国巴黎)、电子艺术节 (奥地利林茨)、圣丹斯电影节(美国犹他)等。

Quayola: Asymmetric Archaeology

Gazing Machines

HOW Art Museum (Shanghai) is pleased to announce that it will host a large-scale solo exhibition of the Italian artist Quayola titled "Quayola: Asymmetric Archaeology - Gazing Machines”from March 23, 2019 until June 2, 2019. The exhibition is Quayola’s first large-scale solo exhibition in China, bringing together his artworks covering digital print, video, digital sculpture, and robotic installation.

"Quayola: Asymmetric Archaeology - Gazing Machines" reimagines the past and rediscovers nature through the perspectives of machine. With the theme of “Asymmetric Archaeology”, Quayola uses digital technology to explore and reinterpret classical art forms such as ancient Hellenistic sculptures, old master paintings and Baroque architecture, thus detaching them from iconographical semantics of the past and regenerating them into digital abstract works. This revisiting of the past completely excludes man’s subjective view, to examine the intricate relationship of the past, the present and the future from a mechanical objective perspective, thus revealing the beauty of asymmetry.

In addition, Quayola's works have a familiar naturalistic visual rhetoric which is transformed into a new artificial landscape created by machinery and computation. Through the reconstruction carried out by peculiar mechanisms and complex algorithms, Quayola leads the audience into a new round of contemplation far away from the original context of art history and the natural environment.

Quayola

b. 1982, Rome, Italy

Lives and works in London, England

Quayola employs technology as lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, often at historically significant architectural sites, he engages with and reimagines canonical imagery through contemporary technology. His varied practice, all deriving from custom computer software, also includes audiovisual performance, video, sculpture, and works on paper.

Quayola's work have been shown widely around the world through 10 solo exhibitions and over 100 group exhibitions, public installations and performances. His past exhibitions include Park Avenue Armory, New York, USA; Victoria & Albert Museum, London, UK; Palais de Tokyo, Paris, France; Ars Electronica, Linz, Austria; Sundance Film Festival, Utah, USA and etc.

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